Nothing will have you talking like Raquel Welch being attacked by antibodies. And this film has a lot to talk about, with so many special effects and sets resembling arteries and veins and capillaries. I first saw this film complete on WGN in the 1980's, after the Royal Father taped it. I would watch it again and again and again because I was fascinated with so much of it, especially the matte (bluescreen) techniques that put a miniature submarine inside a human body.
|A look at the films|
that have left a mark on my life.
Brother Michael hadn't seen a frame of this film when he finally got around to watching it, and he was wowed by the antibody attack. I thought they looked more like seaweed than antibodies, but who cared?
One innovative touch: the title sequence, which is not accompanied by music -- just a rhythmic score of sound effects.
An interesting sidebar to this movie is that renowned sci-fi writer Issac Asimov penned the novelization at the urging of Bantam Books. Asimov wasn't thrilled with the screenplay, and he found it was full of plot holes. But with his clout, he was able to do the book his own way, fixing the problems in the process. Because of production issues on the film and Asimov's quick pace -- churning out the draft in less than two months -- the book hit stores before the movie did.